Close Up

It’s Yarn Love Challenge Day 2!  If you missed day 1, explaining what exactly Yarn Love Challenge is, please see yesterday’s post.  Today’s prompt is “close up.”  Over the last few years, I’ve tried to improve my ability to take close up pictures.  Close ups help us focus on details, providing a better understanding of and appreciation for finished projects.  Rather than just sharing fiber arts pictures in this post, I’ve chosen close-up pictures that represent different aspects of my life.  Collectively, these small details provide a better understanding of the ongoing project that is my life.


Since this is primarily a fiber blog, I am starting with the fiber pictures!

First, one of my favorite projects and pictures: a close up of the lace border on the Raindrops on Roses Shawl.

Next, one of the first close-up pictures I ever took of a fiber project.  It’s a humble garter-stitch dishcloth and I hoped to take a picture that made it look like more fun than that!  I tried to make it look like ocean waves and added the octopi charms both because of the ocean theme and because I love octopi so much.

This is the lace edging on the first project I ever knit from my own homespun yarn.  I was (and am) so proud to be able to knit from yarn spun by my own hands!

I have been obsessed with cables ever since I knit a cabled baby blanket as my second-ever knitting project.  (The baby I knit that blanket for just got married this week and is expecting his first child).  When I knit the Sand Tracks scarf, I became obsessed with the combination of cables and seed stitch.

Rainbows make me happy, and this Redfish Dyeworks 20/2 Spun Silk gradient is no exception.  I love this picture because it captures all the skeins in the gradient and because there’s something perfect about the way the circle draws my eye around and around and around the rainbow.

The Gotland / Teeswater fleece pictured here is one of the first fleeces I purchased (at SAFF 2016) to process by hand.  This picture is of the raw fleece and I love all the different colors in the fleece.  I took this picture just before I washed it.  I have yet to comb or spin it.


I take a ridiculous number of pictures of our cat, Tiger.  He’s so photogenic.  He’s also ridiculously cuddly.  Sometimes he’s so cute and happy with cuddles that I don’t want to disturb him, but I’m also bored.  I almost always have my phone with me, so I whip it out and take pictures of him.  Of course, I take many close ups of his face.

But I am also rather obsessed with taking pictures of his paws.

And the way his tail wraps around his body and curls up beside his hip is one of the most precious things in the world.


My husband grew up in Toms River, NJ.  Toms River is right about in the middle of the New Jersey coastline, separated by the intracoastal from Seaside Heights and Seaside Park, NJ.  He grew up going to the Seaside beach constantly.  His grandmother and an aunt each lived a couple blocks from the beach where the boardwalk was.  Superstorm Sandy destroyed much of the boardwalk.  If you watched any of the coverage of that storm, you might remember a picture of a roller coaster in the ocean.  That was the Seaside boardwalk where my husband grew up.  After Sandy, the boardwalk was rebuilt in record time, and the businesses lining it reopened for the following summer season.  That fall, one year after Sandy, an electrical short started a fire that burned six blocks of the newly-rebuilt boardwalk (this article says 3 blocks, but it was really 3 blocks in Seaside Heights plus 3 blocks in Seaside Park for a total of six blocks).  Fire trucks came from all over the state to fight that fire.  In the end, they were only able to put it out by bulldozing out part of the new boardwalk to create a fire break.

Three months after the fire, we were in New Jersey for Christmas, so we went down to the boardwalk to view the devastation.  The picture before is a charred piece of wood, about 4 inches long, embedded in the sand near where the fire started.


My father is a birdwatcher; I’ve been birdwatching with him since I was 6 months old, in a backpack on his back.  Last year, we attended the Space Coast Birding and Wildlife Festival.  One of the tours we took was a bird banding tour.  The guide was a licensed bird bander.  We accompanied him to the location where he bands and helped him to capture three birds for banding.  He applied a band to each bird, weighed them, measured their wings, beaks, and leg bones, then released them.  This is a Bachman’s Sparrow, an uncommon species which is in decline due to habitat loss.

In the vendor area of the festival, was a booth operated by a bird rescue.  They brought several of their education birds — birds that will never be able to released back to the wild due the extent of injury — and you could have a picture taken with the bird of your choice.  I picked the Golden Eagle because I am a Ravenclaw and the Eagle is the emblem of our House.  Note that I am not holding this bird.  Only licensed handlers are able to do that.  The eagle is sitting on the gloved hand of the handler and I am standing beside her.  The picture is taken from a clever angle, making it seem that I’m closer than I actually am!

In the Yard

Several years ago, I got lenses for my iPhone camera.  I didn’t know such a thing was possible until I was traveling on business and a colleague had them for her phone.  I was so excited, I bought myself a set.  I especially loved the macro lens.

Leaf and tendril from the grape vines.  We’ve since pulled them out because they were growing up against the house, destroying the paint and the window screens.  Plus the neighborhood birds ate all the baby grapes while they were still green so we never got any ourselves.

A cherry tomato, still on the vine.

Lichen on the trunk of a crepe myrtle.

A crab spider on its web.

Click here to read Yarn Love Challenge, Day 3: Currently Making.

TKGA 2015: The Cherries on Top

I went to TKGA primarily for education, but I signed up for every event I possibly could.  Since I was traveling all the way across the country to attend this Conference, I might as well do All The Things!  These extra events were the Market Preview, The Breakfast of Brilliance, and The Yarn Tasting.  I realize that the title of this blog sounds like it is the last post in this series on TKGA.  It is not.  These extra events took place on Thursday and Friday.  I’m publishing this post today since I’m writing in roughly chronological order.  I did attend two classes on Saturday and I will post about them tomorrow.

But before I get to those events, I have to share this license plate, which Heather and I spotted in the hotel parking lot when we were on our way back from lunch on Thursday:


I particularly love how the setting sun looks like a ball of yarn!

The Market Preview

The market did not open to the public until Friday, but anyone attending the conference got to go into the market from 7 to 9 pm on Thursday.  When we arrived 20 minutes before the doors opened, the line reached all the way across the lobby!

We're waiting for those double doors in the distance to open.
We’re waiting for those double doors in the distance to open.

The line grew quickly, snaking around the lobby.  By the time the doors opened, the back of the line was nearly to the market doors.

First view of the market.
First view of the market.

I headed straight to RedFish Dyeworks.  I had not heard of these local dyers before, but during the Finishing Course on Thursday, Arenda showed us several Fair Isle sweaters she’d knit with their yarn and raved about their color sense.  I bought a package of twelve 50g / 450 yard skeins of 20/2 silk for weaving:


I also bought 4 ounces of 50% silk / 50% baby camel roving.  The roving is incredibly soft thanks to the baby camel fiber and has the sheen of silk.  I can’t wait to spin it!


Newton’s Yarn Country booth was next door to RedFish Dyeworks.  Their booth was standing room only!


They sell weaving yarns at excellent prices.  I looked through the booth, but didn’t buy anything.  Most of their yarns were cotton or tencel and I already have many cones of those fibers for weaving.

The Yarnover Truck was in the house.  Like literally in the house, on the market floor.


Four Purls, a LYS in Lakeland, FL, has a yarn truck, which I’ve seen at various events (e.g. Orlando Distaff Day 2015), but it’s always parked outside.  I love the name “Yarnover Truck.”  I want to call them and ask them bring that yarn over.  Too bad I live on the opposite side of the country.  The inside of the truck is lovely, with built-in cubbies full of yarn:


I didn’t buy anything from them during the market preview, but I came back later to pick up some yarn for a baby blanket that I’m making for a friend.


Another booth carried Jelly Yarn.


Remember those jelly shoes every little girl had back in the late 70s and early 80s? This yarn feels just like those shoes.  And some of the colors glow in the dark:


I resisted the temptation to buy some during the market preview because what would I actually do with it?  While it’s tempting to think that I might knit myself jelly shoes (or slippers, perhaps) I’m certain they’d be too fragile to wear outside during a Florida summer. I was unable to resist its siren call for the entire Conference however.  Three skeins came home with me (in Ravenclaw colors, of course).


Unique Market Features

The TKGA / CGOA Market had two unique features: The Brilliance Bar and a Yarn Winding Station.


During posted Office Hours, at least two Master Hand Knitter Committee Members manned the Brilliance Bar.  Attendees could make an appointment to ask knitting-related questions.  Whether you wanted a little info on the Master Hand Knitter program or you needed help trouble-shooting a current project, this was the place to go!  I didn’t personally make an appointment — almost every class I took was taught by a Committee Member, so I had many opportunities to ask questions during the Conference.  I’d love to hear comments from people who did visit the Brilliance Bar or people who worked it.  What kind of help did you get?  What was the craziest problem anyone brought to the Bar?


OMG.  Every fiber event should have one of these.  I realize it might not be practical for a large event like Maryland Sheep and Wool, but why haven’t I seen this at the smaller events I’ve attended?  I could knit my new yarns NOW.  I don’t have to wait to get home to my swift and ball winder!

CGOA Member Design Competition

Each year, CGOA (Crochet Guild of America) runs a Member Design Competition.  Entrants must submit their work by July 1.  Pieces are on display at the Conference Market and prizes are announced at the Saturday night banquet.  “Entries must be original designs that have not been previously entered in this competition, previously published in any print or electronic media, or otherwise publicly available before the date of competition (our judges need to have never seen this work before).  Entries do not have to be new or recently crocheted, as long as they are your own designs.” (from the Eligibility Guidelines, available on the members-only section of CGOA’s website).  This year, crocheters could enter pieces in 7 categories: Fashion, Accessories, Home Decor and Afghans, Thread Crochet, Young Designer (25 years old or younger), and First-Time Entrant / Non-Professional (no designs previously published in any form).  CGOA judges awarded prizes in each category.  Anyone attending the Market could vote for one piece for the Attendee Favorite.  Here’s a few of my favorites:

I though this afghan was knitted, but it is Tunisian Crochet.
I sent my newly engaged friend Stacy a picture of this and suggested she crochet it for her wedding gown. She’s a talented crocheter, but I don’t think she’s convinced that this would be the right thing for her!

My favorite pieces were all by the same person: fiber artist Kayt Ross.  Her website ( is down, but she does have a Facebook page.

This crocheted cat suit probably looks unwearable:


But someone has actually worn it and looked amazing in it.  I found this picture on Pinterest; it was pinned from the artist’s website.


Ross’s entry in the Afghan category was only partially visible under the other afghans.  I love the color combination and the freeform shape.


Her piece Danikil Depression won Third Place in the Artistic Expression category.  This one was so huge that it was difficult to get good pictures.  Here’s a couple of angles.


Her piece Cobblestones won Second Place in the Artistic Expression category.


Finally, the piece that I considered the showstopper: “Emily Rose”.  I voted for this one for People’s Choice.  I don’t know if it won in that category or not, but it did win First Place in the First Time Entrant category and the overall Grand Prize.  Yes, this really is crochet.  I leaned in as close as I could get to the piece without touching it and even that close it was difficult to see the stitches.  It’s beautiful work.


The list of all the winners, except People’s Choice, is on MarlyBird’s website.  She was at the show and did book signings.  I believe she was also one of the Design Competition Judges.

The Breakfast of Brilliance

The Breakfast of Brilliance started at 7:30 am Friday.


At this event, anyone who finished Master Knitter Level 3 (the final level) since the last Knit & Crochet Show received a pin from current Committee Chair Suzanne Bryan.  A total of 13 people finished level 3 in the last year, but only 7 were able to come to San Diego.  I asked Arenda if this was the most people to finish level 3 in one year.  She didn’t know off the top of her head, but there’s no doubt that Master Knitters are an elite group.  (While working on this blog post I ran across a page on TKGA’s website with pictures of each pinning ceremony since 2007.  In 2007, 24 people received pins.  In 2008 and 2010, 17 graduates received them.) In the 30 years of TKGA’s existence, only 300 people have completed Level 3.  TKGA has the complete list of graduates on their website.  Congratulations to all the new graduates!


Level 3 requires knitters to design two projects: a hat and a sweater.  One must be Aran (that’s one color, with lots of cables, bobbles, and texture) and the other must be Fair Isle (that’s color work).  The knitter can decide if he or she wants to make an Aran hat and Fair Isle sweater or vice versa.  During breakfast, we had a fashion show of the new graduates’ final pieces.  Some graduates modeled their own pieces.  Master Hand Knitter Committee members modeled the rest.  Each piece was beautiful!  I didn’t get everyone’s names to match with the pieces and I didn’t get good pictures of all the pieces.  These are the best pictures and information that I got during the event!

I particularly loved the double-helix look of the cables on this sweater and the seed stitch in the center of the cables. Seed stitch with cables is my new obsession.
Graduate (and new Committee Member) Carla Pera modeling her own hat.
Committee Member Joyce Jones modeling Carla Pera’s Sweater. I loved the vine detail at the neckline and the way the way the narrow cables emphasize the waist.
This graduate is modeling her own hat and sweater. She was the only one in the Fashion show to choose a Fair Isle Sweater and Aran Hat.

At the end of the Breakfast, we had a drawing for door prizes.  Emma won a bag full of yarn.  It was like Mary Poppins magical bag but full of yarn instead of mirrors or hat stands.

I'm not exaggerating -- the bag held a wall of yarn!
I’m not exaggerating — the bag held a wall of yarn!

The Yarn Tasting

The most important thing I have to say about the Yarn Tasting is THANK YOU to Arenda Holladay, Suzanne Bryan, Binka Schwan, and Charles Gandy.  One hundred tickets were available for the Yarn Tasting and the event sold out.  Each attendee left the event with 40 mini center pull balls of yarn.  Arenda, Suzanne, Binka, and Charles hand wound those mini balls.  That’s 4,000 mini balls.  Arenda makes it sound easy; she’s even got a video on YouTube demonstrating how to wind them.  I don’t care how easy they are to wind; it’s got to take a long time to wind 4,000 mini balls.  Thank you all!


Here’s links to the sponsors’ websites: A Hundred Ravens, Anzula, Baah, Berroco, Blue Moon Fiber Arts, Brooklyn Tweed, Classic Elite, Elemental Affects, Green Mountain Spinnery, Holst Garn, Imperial Yarn, LB Collection, Lion Brand, Madelinetosh, Miss Babs, Mrs. Crosby Loves to Play, North Light Fibers, Oink Pigments, Peace Fleece, RedFish Dyeworks, Skacel, Shibui, Stonehenge Fiber Mill, Swans Island, Tenacious Fibers (blog and Etsy), and Universal Yarns.

The Yarn Tasting was spectacular.  There’s just no other word for it.  I’ve never been to an event like this one and had only the vaguest idea what it would be like.  We got to the ballroom 15 minutes before the doors opened, so of course there was a line.


When the doors opened, we all filed into the room.  Committee members handed each attendee a goodie bag:


We used the goodie bags to collect our mini yarn balls during the event.  When we got the bag, it only had 8 yarn balls in it.


The bag itself is part of our gift — it is moth-proof 4 mil plastic!  In addition to the 8 yarn balls, each bag held coupons from several sponsors, a 16″ bamboo Chiao Goo needle in either US size 2 or US size 2.5, and 3 magazines.


As you may have guessed from the “Fiber Fiesta” on the event sign, the Yarn Tasting had a Mexican theme, which was carried throughout the night.  Seven or eight varieties of yarn were scattered around the table.  There was one mini ball / person of each variety.

The yarns from the table.
The yarns from the table.
Somebody had to do it.  Photo by Heather Weber.
Somebody had to do it. Photo by Heather Weber.
Heather and I at the Yarn Tasting.  Photo by Emma Anderson.
Heather and I at the Yarn Tasting. Photo by Emma Anderson.

The placemats listed every yarn we got to sample.  Each person got one mini ball of each variety of yarn listed here!


We got 8 mini balls in our bag and 7 or 8 on the table.  The remaining samples were set up as a buffet.

Hey — I just realized this is as close as we get to a picture of Emma, Jo, Heather, and I together; we’re reflected in the mirror behind the buffet! Emma in the blue shirt, me to her right snapping the picture, Jo to my right, and Heather to her right.

We walked through the buffet, collecting one of each variety displayed.


The buffet sections were labeled by courses, just like they would be if we were getting food.  A swatch of each yarn in that category decorated the tables.  I believe Arenda knit all the swatches.

The Appetizer Yarns from the Buffet.
The Appetizer Yarns from the Buffet.
A mix of Comida and Dessert Yarns from the buffet.
A mix of Comida and Dessert Yarns from the buffet.
Dessert Yarns from the buffet.
Dessert Yarns from the buffet.

After we got our yarn from the buffet, Charles Gandy MCed a fashion show, featuring objects knit from sponsor yarns.


I did not get pattern names, model names, or knitter names for any of these projects — I was lucky just to get pictures!  I only have pictures of a small fraction of the beautiful knitwear in this fashion show.

The baby sweater and the model’s cardigan are both part of the fashion show.

I submitted two items for the fashion show, but failed to take pictures of the models!  The first was the Sand Tracks Scarf, knit with Swans Island yarn.  The second was a Quinn Cabled Bag.  In 2013 I knit 9 of these bags, each in a different color of Peace Fleece.  I finished 8 of them and gave them as Christmas gifts.  The 9th was mine.  The knitting has been finished for more than 18 months, but it’s been sitting in my UFO pile, waiting for me to sew in the lining.  Since I said I would submit it for the fashion show, I had to get that lining sewn in.  I finally finished it during lunch on the day of the Fashion Show!


After the Fashion Show, anyone who submitted objects went to the ballroom next door to pick up their knitting.  Everything looked beautiful, folded up in a row on tables!


As if everything we’d gotten already wasn’t enough, we each got a bag with 5 or 6 skeins of yarn as we left the Yarn Tasting, all donated by sponsors.  Each person’s bag was a little different.  Arenda suggested we head out to the lobby for a “Halloween candy swap” if we wanted to find enough skeins for large projects!


Like I said — a spectacular event!

Bonus: A Visit to Green Mountain Spinnery


Back in May, I went to Burlington, Vermont to attend my cousin’s college graduation.  I drove from Burlington down to Northampton, MA to go to WEBS and meet up with some Ravelry friends, then on to Hartford, Connecticut to spend a couple of days visiting my sister.  During my trip, I visited a total of 12 yarn shops!  I keep threatening to write blog posts about the trip, but haven’t done it yet.  One of the places I visited was Green Mountain Spinnery.  Since they were one of the Yarn Tasting Sponsors, I thought I’d slip that visit into this post.

Green Mountain Spinnery is a co-op.  Most of the people who work there are part owners of the company, and it is run on democratic principles.  When I planned to visit the shop, I didn’t realize that it was a tiny retail space in the mill!  As soon as I parked, I knew this wasn’t an ordinary yarn shop.  This sorting table is right beside the parking area.  Yes, that’s a pile of discarded wool, full of tags or debris.


There’s another big pile of discarded wool out back.

Over there by the pallets. It kinda looks like hay from this distance, but that’s all wool.

The entrance to the retail space:


Inside the retail space:


It was late in the day when I got there, and the mill was not operating.  I did get a quick peek inside.


A Year of Projects 2015, Week 25

It’s been a busy week around here, and this coming week will be busy too.  However, there’s always time to craft!


Here’s the list of goals I wrote last week:

Goals for the Week of June 14 – 20, 2015

  • Finish the Sand Tracks Scarf.
  • Finish the Raindrops on Roses Shawlette.
  • Finish half of the questions and swatches for MHK1.
  • Finish at least one color and weave scarf on the rigid heddle loom.
  • Cast on the Liquid Silver Shawl.
  • Knit the Grisou Scarf (another test knit).

I’ve finished the Sand Tracks Scarf.


The Raindrops on Roses Shawlette is a stockinette stitch body with three repeats of a lace pattern.  I finished that, but did not bind off.  I have enough yarn to knit at least one, possibly two, more repeats of the lace.  Since this is a test knit, I e-mailed the designer and asked if she preferred that I bind off now, per the pattern, or if it was okay for me to knit extra repeats.  She said she’d like to see the shawl in a larger size, so I’m going to knit the additional repeats and expect to finish early this week.  Here’s how it looked on Wednesday, 4 rows shy of finishing the first three lace repeats:


I haven’t done anything with MHK1 this week.  I need to make this a priority as I want to finish before I go to TKGA’s Annual Conference in San Diego from July 21-26.

Yesterday, I tied on a color and weave scarf.  This is a solid red warp.  The weft alternates one pick of the same red as the warp with one pick of a tweed.  I’ve woven perhaps 1/4 of the scarf, and plan to finish it early this week.


I looked at all the crafting I plan to finish this month and decided to move Liquid Silver to early July.  I do want to swatch for it by the end of the month.

The Grisou Scarf is a test knit.  I am using a different yarn than the designer, so swatched for it.  I ended up knitting swatches with three different size needles!  I’ve just got to finish the border, and expect to finish knitting it today.


While I was waiting to hear back from the designer of Raindrops on Roses and for the Grisou swatches to dry, I cast on another Heart Illusion Dishcloth.  I got about 1/2 of it knit.


Finally, though this has nothing to do with knitting, I wanted to post a picture of me with my father, since today is Father’s Day in the United States.  I often say that I’ve birdwatched since I was 6 months old.  My father started birdwatching shortly after my parents married, and once I came along, I was in a backpack on his back.  This morning, my father, mother, aunt, uncle, and I went birdwatching for Father’s Day.  We went to a newly opened 11 mile drive that skirts along the northern edge of Lake Apopka, not far from where we live.  We only saw 22 species of birds, all of which are common in our area, but we saw many, many individual birds of most species.  Here’s a picture my mom took of my Dad and I, looking at birds:


Goals for June 21 to 30, 2015

I’m writing this set of goals through the end of the month, to cover the class deadlines for the HPKCHC.  I honestly don’t expect to finish all of these items, but I’m going to do my best!

  • Finish Raindrops on Roses Shawl (Headmistress Challenge)
  • Finish Grisou Scarf (homework, but which class?)
  • Finish Solid / 1×1 Scarf (OWL)
  • Three more color and weave scarves to meet OWL 50% (highly unlikely to finish)
  • Finish current Heart Illusion Dishcloth, plus 4 more (COMC?)
  • Tier Scarf (Charms or Potions)
  • Crochet Dishcloths (Transfiguration)
  • MHK1 swatches (Divination and / or Charms)
  • Small stuffed bird (DADA)
  • Cast on Sweet Summer Shawl (Quidditch Round 3; due July 8)
  • Liquid Silver Swatch (OOTP; due July 19)
  • Cast on Begonia Swirl Shawl (Headmistress Challenge; due July 28)

Updated List of Goals for 2015


  • Knit myself a sweater
  • Improve my finishing techniques
  • Finish MHK Level 1
  • Dishcloth Advent Calendar
    • Tribbles, finished January 18, 2015
    • Leaves, finished March 30, 2015 but never blogged
    • Heart Illusion Dishcloths (in progress)
  • Charity Knits
  • Do some test knits
    • Sand Tracks Scarf, finished June 16, 2015
    • Raindrops on Roses Shawlette (in progress)
  • Finish or frog all UFOs
    • Traveling Scarf
    • Bigger on the Inside Hat
    • Evenstar
    • Quinn Bag
    • Baby Blue Monster
  • Socks
  • Other Projects
  • Design at least one project from scratch


  • Learn to read crochet patterns
  • Learn all the basic crochet stitches.
  • Make at least one non-granny square crochet project
  • Dishcloth Advent Calendar


  • Breed Specific Spinning
  • Learn to spin on a drop spindle


  • Continue playing with color and weave¬†drafts
  • Learn pick up stick drafts
  • Learn Inkle Weaving
  • Learn Kumihimo braiding
  • Explore Twill weaves on the floor loom
  • Make items for the Guild Sale
  • Other


  • Finish dyeing the MAPLE LEAF Shawls
  • pH / water source experiment
  • Return to dye triangles project

Sand Tracks Scarf

As promised in yesterday’s WIP Wednesday post, here’s the info on the Sand Tracks Scarf that I finished earlier this week.

Official Stats

  • Date Started: June 3, 2015
  • Date Finished: June 15, 2015
  • Pattern: Sand Tracks Scarf by Tracey Lee
  • Yarn: 500 yards Swans Island Natural Colors Worsted in Maize
  • Needles: US 7 / 4.5 mm
  • Finished Dimensions: 7.75″ x 73″
  • Made for: ?
  • Ravelry Project Page

About This Project

In early June, I signed up for two test knits, including this pattern.  These are the first patterns I’ve ever test knit.  I wanted to know more about the process of creating a pattern, and thought this would be a fun way to learn a little more about that.  I really enjoyed both of the projects, and the test knitting process.  I’ve signed up for another test knit and am swatching for it now.

This particular pattern was an interesting challenge.  I’m not a huge fan of seed stitch.  I knit English style (throw the yarn with my right hand).  When I have to switch between knit and purl a lot — and with seed stitch you are switching on every new stitch — it slows me down since I have to reposition the yarn.

Cables slow me down too.  I don’t use a cable needle anymore.  Instead, I pinch the base of the stitches that form the cable, slide them all off the needle, put them back on the left hand needle in the correct order, then work the stitches according to the cable directions.  This is obviously slower than working across the row, but it is quicker than using a cable needle.

In this scarf, the cable is asymmetrical.  In addition, it is partly worked on a seed stitch ground not reverse stockinette, like most cables.  If you look closely at the inner part of the cables in the picture below, you might be able to see that the central diamond shape has the traditional reverse stockinette, but the outer diamonds are seed stitch.


In order to form these varying grounds, the pattern uses 5 different cable stitches.  Some are 4 stitch cables and some are 3 stitch cables.  Some of the cable stitches involve purling in the cable.  The complexity of the cables and the combination of cables and seed stitch make this project intermediate difficulty.

The pattern provides both written and charted directions.  While I always use the charts in lace patterns, I always use the written directions for cables.  There’s nothing wrong with the charts in this pattern.  I did compare the written and charted directions to see if they matched and they did.  It’s just that I find the chart symbols for cables confusing.  I have to focus on them carefully to distinguish the number of stitches involved and which stitches are held to the front.  I find the written short hand for cables easier to look at and understand.  Since this particular pattern does have so many different cable stitches in it, I highlighted each one in a different color, both in the abbreviation section at the beginning of the pattern and in the written instructions.  By the time I was 1/3 of the way through the scarf, I could knit without referring back to the abbreviations.

I hope I’m not making this pattern sound so hard that you don’t want to try it, because it was really fun and interesting to knit.  The pattern is a 10 row repeat and, despite the combined challenge of seed stitch and advanced cables, it only took me about 1/2 an hour to knit through one repeat.  The entire scarf consists of 42 repeats and took 23-25 hours (including the borders, cast on, bind off, blocking) to create.

This is the first time I’ve used the Swans Island yarn.  This yarn is custom spun in New England, in one of the four mills in the United States to earn a Global Organic Textile Standards Certification.  It is hand-dyed using natural dye processes.  It is super soft organic merino and an absolute dream to knit.  The yarn is tightly plied and did not split at all.  This particular color was such a good match for this scarf; the softly tonal yellows really make the scarf look like tracks in the sand, as the name of the pattern suggests.  I used every inch of two skeins of yarn.  I just knit the repeat until I was running out of yarn, then did the border.  I underestimated how much yarn I needed for the border, so on my first try I had to rip out 5 rows of border and 6 rows of the last pattern repeat, then redo the border.  The second time, I had the perfect yardage to finish the border, bind off, and weave in the end.

I truly loved every minute of knitting this scarf.  The pattern was well-written (I didn’t find any errors at all, not even a typo) and the yarn was spectacular. When I bound off, I was ready to cast on for another one.  That’s not something I usually say when I finish a scarf!

While I was a knit night at my local LYS, Susan took this picture of me wearing the scarf.
While I was a knit night at my local LYS, Susan took this picture of me wearing the scarf.

WIP Wednesday: June 10, 2015

For the last week, I’ve spent my crafting time working on the two test knits that I cast on last Wednesday.  Both projects traveled to Indiana and back.  On the way there, I knit on the shawl.  On the way home, I knit on the scarf.  I worked on them while I sat in Stacy’s office on Friday.  I worked on them as we drove to and from the Hoosier Hills Fiber Festival.  I’ve made great progress on both projects, and hope to finish both this weekend.

Sand Tracks Scarf

I love this project.  I love the yarn.  I love the pattern.  All the love!  I’m about 1/3 of the way into the second ball.


Raindrops on Roses Shawl

I’ve finished the first of three lace repeats.  I’m probably halfway through the shawl at this point.