WIP Wednesday: April 29, 2015

I’m home from India, but continuing to work on the same two projects!  I’m also starting to work on the TKGA Master Hand Knitting Level 1.

Super Secret Shawl

I’ve now completed 3 repeats of the pattern.

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Splash Socks

I hoped to finish these while traveling, but while in India I spent most of my knitting time on the shawl, leaving these socks for the flights.  The trip home involved 20+ hours actually on planes, with little to no time on layovers.  I dozed off and on throughout the trip home, leaving less time for knitting than I had planned.  Still, I got 5 stripes done on the trip home.  Since I hadn’t brought appropriate waste yarn to mark the heels, I just kept knitting.  I’m going to steek for heels — the first time I’ve ever done that!

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TKGA Master Hand Knitting Level 1

I purchased the Master Hand Knitting Level 1 at the end of February and blogged about it in mid-March.  When I discovered that we were going to India, I decided I wouldn’t work on the program until I returned.  However, before we left, I did make myself a detailed checklist, breaking down each step of the project.  Now that I’m back from the trip, I want to focus on finishing Level 1.  I have an extremely ambitious goal: mail off the Level 1 binder by the first week of June.  The reason for this ambitious goal is that I will be attending the TKGA Conference in San Diego July 21-26.  If I can get Level 1 mailed off by the first week in June, it’s possible (though tight) that I might get the reviewed binder back before I go to the conference.  Since I’m attending the Master’s Day program on July 21 and taking a workshop with Arenda Holladay, I’ll have the opportunity to ask any questions I have regarding necessary corrections for Level 1.

My personal approach to Level 1 is to research all the questions relevant to a swatch and write draft answers prior to knitting the swatch.  Then I knit and block the swatch and edit the answer based on the experience of knitting and blocking.  Yesterday, I did the research for the blocking report and wrote a draft that includes all the information other than how I blocked the swatches.  Today I did the research for the first question and wrote a draft answer.  As I write, I am compiling the References sheet that is one component of the binder.  Every time I use a new source, I add it to the References section immediately.  I expect to take significant time to edit the written work after all the swatching is complete.  Proceeding in the manner I described makes that easier because I won’t have to switch back and forth between writing and editing.  Switching back and forth slows me down considerably!

My single biggest worry about the swatches is that there will be cat hair all over them.  The directions specifically say that the swatches should be free of pet hair.  This seems like an impossible standard in my house.  We’ve got three very cuddly cats in varying colors that mean no matter what you are wearing, the cat hair stands out from a mile away.  Since we got back from India, they are even more cuddly than usual.  They were well cared for while we were away, but they obviously missed us!

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Love in Every Stitch by Lee Gant

Love in Every Stitch: Stories of Knitting and Healingarrived at my house a week before I left on the trip to India.  I brought it with me and read it while I was away.  When I preordered this book, I had never heard of the author and expected lighthearted, fun stories.  From the very beginning, it became clear that ‘lighthearted’ is not the best descriptor of this book.  These are stories of redemption and survival, and the circumstances that challenge us are never lighthearted!

Lee Gant (website, Facebook, Ravelry) is a knitwear designer and instructor.  She’s also a recovering addict.  A few chapters of the book share parts of her own story and the ways that knitting helped her as she struggled to overcome her addictions.  The remainder of the 29 chapters share the stories of other knitters whom Ms. Gant has met, mostly while working in various yarn shops.  The chapters are divided into 9 themes — changing, overcoming, grieving, mending, giving, discovering, living, sharing, and ending — with three or four stories in each category. The knitters and crocheters in this book ply their craft through addiction, abuse, death of close family members, or illness.  Each story emphasizes how knitting or crocheting helped the storyteller to survive and, eventually, thrive.  We also learn more about Ms. Gant’s story, through the dialogues in various chapters.

Once I better understood the angle of this book, I was concerned that the stories would be trite or manipulative.  I did not find that to be case.  For the most part, Ms. Gant writes beautifully and honestly.  She doesn’t try to wrap up every story with a neat bow (though there’s a couple that are) or imply that everything will be okay.  Crafting is a life raft that helps each person to continue taking the next step.  And the next.  And the next.

My biggest annoyance with the book was that Ms. Gant awkwardly inserted her reactions and parts of her own story into the middle of other stories.  The majority of the stories are written from her perspective.  The stories usually start with a brief set up of how Ms. Gant met the storyteller and at some point shift into long blocks of first-person dialogue from the perspective of the storyteller.  This worked for me as a way of getting into the story.  However, in many of the chapters, the first-person dialogue is interrupted with Ms. Gant’s own inner or outer thoughts.  At times, these transitions did not feel like a natural conversation, and pulled me out of the story of the chapter.  I was also left with a sense that the book was disjointed because we are getting Ms. Gant’s life story in bits and pieces.

Despite these problems, I loved the book.  From the first sentence (“I spent many troubled years standing in front of the mirror with my face pressed close to the glass, peering into each pull, trying to see all the way into myself.”), I was drawn into the book and did not want to put it down.  Part of the reason I was so drawn in is because I could write a story suitable for inclusion in the book — knitting kept me grounded through the deaths of 14 family members in 19 months, and the radical rearrangement of my life as a result of that time.  While I may not have faced the same challenges as the storytellers in this book, I understand how the repetitive, meditative, and social aspects of knitting can carry you through them.  I was inspired by the reminder, and by the fortitude of each storyteller.

WIP Wednesday: April 22, 2015

I’ve continued working on both of the projects that I posted last week.

Super Secret Shawl

This project is my focus when I’m stationary and have excellent lighting conditions. I haven’t had much time this week that met both of these conditions! I’ve finished 1.65 pattern repeats and the full shawl will have 20 repeats, so I’m not quite 10% done with it!

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Splash Socks

I only worked on this project while I was on the move. It’s super portable and it’s at the point where I just have to knit, knit, knit for miles. I’ve finished 4 stripes this week.

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WIP Wednesday: April 15, 2015

Seems like just yesterday that I wrote a WIP Wednesday post!  I’ve been working on two projects and making decent progress on both of them.

Splash Socks

Since last week, I finished the toes and I’ve knit about half of the foot.

Super Secret Shawl

I finished the swatch, and love how it looks!

I did a little math to figure out the best shawl dimensions for the amount of yarn I have and cast on.  I knit a 5 row garter stitch edge, then started the pattern repeat.  There’s 26 rows in a repeat.  I’ve knit 17 rows of the first repeat.  It’s not a difficult knit, but I have to have excellent lighting when knitting.  The yarn is not very dark — the color on my screen seems like an accurate representation — but in low light conditions, the yarn reads as a darker, navy color and it is difficult to see.

Frogging Liquid Silver

There comes a time in the life of every knitting project when you contemplate frogging it (this is what knitters call it when we take our needles out and rip out many rows of stitches.  It’s called frogging because we rip it, rip, it.  Get it?  Ribbit).  Perhaps it is boring.  Perhaps your original reason for making the project is no longer relevant.  Perhaps you have come to an obstacle that you don’t know how to overcome.  Perhaps you didn’t swatch or your swatch lied and the combination of yarn, needles, and pattern aren’t working together.

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I’m not afraid to rip out my work and ‘lose’ the time I put into the knitting so far.  Many people try to classify themselves as either a process knitter (a person who picks projects based on the skills involved in making it) or a product knitter (a person who knits to get the finished object).  I don’t see this as an either / or proposition, but as a continuum.  I very much enjoy the process of knitting — and this includes the entire process of knitting, including swatching, purling, cables, lace, blocking, etc.  You will never hear me say I hate any component or skill in the knitting universe, because I see it all as one part of the whole that is knitting.  Even when I’m ripping out.

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While I am invested in the process, I also care about the finished object.  I pick projects based on a number of criteria.  Sometimes I pick them for function.  Sometimes I pick them because I want to learn the skills that the pattern incorporates.  Sometimes I just need something mindless or quick.  Sometimes I’m trying to use up a particular yarn in my stash.  Whatever the reason I pick it, I want it to be beautiful, useful, and functional.  I want my work to exemplify craftsmanship.

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My attitude towards frogging is also informed by my experience as a cake decorator.  I’ve made many beautiful cakes that people are afraid to cut.  I take the knife and hack away, obliterating many hours of work in a few moments.  In the case of cake, destruction is the only way to get to function — the primary purpose of cake is pleasure in eating.  The decorations are beautiful while they last, but should not be an obstacle to the function.  I can’t be attached to them or the primary purpose of the work will be lost.

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While frogging isn’t always required to get to function in knitting, there are times when it may be necessary in order to achieve beauty, usefulness, function, and craftsmanship.  And it is just another part of knitting.  So I’m pretty Zen about the whole thing.  If it needs to be done, I’ll do it.

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Still, there’s no need to be rash.  When I get to the point where I’m contemplating frogging, I will set the project aside for a while.  When I come back to it, I’m no longer in a moment of frustration and I might be able to see a different way to solve the problem.  This is what I did with Liquid Silver.  I first noticed the problem with it a couple weeks ago, and wrote about it in a WIP Wednesday post.  You might recall that this project sat for several years.  The problem I noticed was that my gauge has changed in the intervening years.  You can clearly see the line between the old knitting and the new knitting.

This is not a problem that will be solved by blocking.  The only solution is to frog it and start over.  This is particularly challenging because there’s so many beads in the shawl.  Every wrong side row has 6 or 8 beads.  I estimated that the shawl has 300 to 400 beads in it already.  I didn’t want to lose the beads because I plan to cast on again.  So I came up with a solution that would be relatively quick while keeping the beads from flying everywhere — frog in a box.  And I made a video so you can see how I did it.

So it’s done.  I’ll cast it on again sometime soon.

P.S. I hope you enjoyed the frog pictures.  I love frogs, as you may have guessed from the fact that my Ravatar is always a frog.  I personally took all the pictures in this post in my own backyard.  We have lots of tree frogs around here, and during the summer they are always on our windows and sliding glass doors.  There’s something so vulnerable about their soft little bellies and I find this adorable.  I’m always trying to get good pictures.  It’s a challenge because the frogs are usually out at night so natural light isn’t available and the flash bounces off the glass that separates me from the frogs.  The pictures in this post are among the best I’ve gotten so far.

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