Felted

Remember the Begonia Swirl Shawl that I knit last year?  Here’s what it looked like when I finished it.

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I lent it to a friend to use as a head scarf, and she washed it before returning it to me.  She’s not a knitter and didn’t know enough to ask about the fiber content before washing.  She tossed it in the washer and dryer.  The results were, for knitters, predictable.

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I’m not sure that she intentionally put the shawl in the washer and dryer.  It might have accidentally snuck into her laundry and she didn’t know until she was folding.  We haven’t talked about it.  I found the shawl in with some other things.  I was heartbroken at first, and couldn’t bring myself to ask.  I guess I don’t see the point of having this type of conversation.  She didn’t do it on purpose.  Hopefully, she’s learned to ask about fiber content before cleaning things.  What else is there to say?  Any time I start the conversation in my head, it sounds accusatory and guilt-inducing.  I see no value coming from that.  So I let it go.

My worse case scenario is that I get to knit this shawl again.  I don’t have enough of the yarn left to knit it in the exact same yarn, but it’s not like I’m lacking yarn — I have a stash that is 63 miles long and contains many appropriate options for reknitting this shawl.  The pattern was fun and not terribly difficult.  It took me less than six weeks to knit, even though I had other projects going at the same time.

I’m not sure what I’m going to do with the felted shawl.  For now, I’ve folded it and put it away in the drawer with my other shawls.  When I took the pictures for this blog post, the shawl reminded me of a Colonial-era collar, though of course that would have been white and not this bright blue.  I’m contemplating felting it a little bit more and drying it flatter or steaming to see if I can even out some of the wrinkles caused by the felting, then figuring out a way of using it as part of a costume.  I’ve never made a historical costume, but I have at least two fiber events (a Spin In hosted by the Saint Augustine Spinner’s Guild and a Weavers Guild of Orlando demo as part of a Shakespeare festival at a local high school) coming up where costumes are appropriate or expected.  Perhaps I’ll be able to find a way to use this shawl in its felted state!

WIP Wednesday: March 18, 2015

This week, I’ve been focused on only one project.  Everything else has been left sitting while I worked on it.

Leafy Dishcloths

Last October, I made a single dishcloth in the shape of a leaf.  Apparently, I never blogged about it, so I can’t link you to a previous post, but you can check out my Ravelry project page if you want to see it.  That leaf was in stockinette stitch.  On the same blog post, the designer had a garter stitch version, so I decided to try it out.

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I liked how it looked, so I decided to use this pattern as one of the days of the Dishcloth Advent Calendars.  I’m making 18 of those, so I’ve been knitting leaf after leaf.

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The 18th one is on the needles now.  I just have to finish it, and weave in all the ends!

Master Knitter

A couple weeks ago, I paid for The Knitting Guild Association‘s Master Hand Knitting Level 1 course.  I’ve been a dues paying member of The Knitting Guild Association for a year and a half.  When I first joined, I did it because I wanted to do the Master Hand Knitting course, but when I read the requirements, it just seemed like too much work to fit into my life at that time.  I hadn’t really thought about it since, but I was catching up on podcasts yesterday, including Mastering the Knits (website, Ravelry group, iTunes), a podcast in which the two hosts discuss their progress on the Master Hand Knitting course.  The podcast reminded me that I wanted to do this, so I signed up!  I now have a year to complete the Level 1 course.  Well, technically, I can take as long as I want; if I take longer than a year and the instructions change in the interim, I have to use the updated instructions rather than the set that I currently have.

The Master Hand Knitting program consists of 3 levels.  For each level, you prepare a binder of materials and submit it for review.  You can not move on to the next level until your binder has been reviewed and approved.  The Level 1 binder has 7 sections: Cover Letter, a copy of the instructions, a report on blocking (2 to 4 single-spaced pages), 17 swatches with information sheets, answers to questions about the various techniques used in creating the swatches, a pair of mittens knit to specifications provided in the instructions, and a list of the references used in preparing all the other sections.

In the last couple weeks, I’ve read the entire instruction packet, making notes as I went.  I selected the yarn I will be using for the swatches.  I did not have appropriate yarn in my stash (light-colored, worsted, 100% wool), so I ordered some from my LYS.  I’ve collected several references for the blocking report — I already owned several books with relevant information — and watched the Craftsy class Blocking Handknits with Kate Atherley (Affiliate link), which I purchased specifically so that I could use it as a reference in my report.  Today I put together the binder, printed a clean copy of the instructions, and put it in place.

I plan to do the research for the blocking report and write the first part of it by the end of this month.  I can’t write the entire blocking report until I finish the swatches, because the report must include a description of my methodology for blocking them.  However, I can write the general part of the report, covering the various techniques and purposes of blocking.  I’ll start the swatches in April.  I’m not sure how long it will take me to work through the entire Level 1 instructions.  I already possess all the knitting skills required for Level 1; there’s nothing in here that I have to learn just to do the course.  I’d like to move through this level as quickly as possible because of that.  I know I don’t currently possess all the knitting skills required in Levels 2 and 3, so expect those to take me longer to complete since I will learn as I go.  Level 1 is really just a matter of prioritizing the work.  I will, of course, write regular updates regarding my progress and the things I learn along the way!  I’ll use the tags Master Knitter and Master Knitter Level 1 on these posts.

WIP Wednesday: March 11, 2015

I have been getting a little crafting done.  I’ve been focusing on getting non-crafting projects done, so I haven’t had as much time to play with fiber as I’d like.  But I have made progress on several projects!

MAPLE LEAF the Ninth

I’m just about finished with this shawl.  I’m on the very last corner, and will probably finish knitting it tonight!

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Emergency Scarf

I finished knitting the scarf that I started when I needed something to knit during a midnight visit to the emergency vet with Pepper.  I just need to weave in the ends.

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Liquid Silver

This shawl was the oldest UFO that I found when I did the UFO Inventory in January.  It’s been an UFO since Fall 2010.  I was shocked to find that I still had the pattern in my Knit Picks magnetic pattern holder, and the magnet was still on the right row!  I’ve started working on it again, and have done 1.5 pattern repeats.  This is the project that I’ve been bringing to Wednesday night knitting group for the last couple weeks.  The pattern isn’t as difficult as it looks, and I’m less likely to have beads spill all over the place at the yarn shop than at home, where I have 3 furry hazards.

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Central Florida Fair 2015

When we first moved to Florida in May 2002, I joined the Confectionary Artists Guild of Orlando (CAGO).  I started learning cake decorating as a scout badge when I was 12 and by the time I moved to Florida, I had professional-level skills.  CAGO does cake demos at the Central Florida Fair every year.  They usually have an entire weekend afternoon of demos from the stage in the Creative Arts building.  CAGO members do back-to-back 1/2 hour demos on a variety of cake-related skills.  I did a demo every year for three or four years.  When the Fair was looking for people to do cooking demos, they asked CAGO if any of our members wanted to do that.  I volunteered, and did vegetarian cooking demos for a couple years in addition to the cake demos.  Then I started law school in fall 2007 and life got pretty crazy.  I hadn’t been to the Fair since.  Until yesterday, when I spent the morning at the fair, doing spinning demos in the Weavers Guild of Orlando booth.

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Bev demonstrating on the floor loom and me spinning.

The Central Florida Fair is only open in the evening on most weekdays.  On the first Friday morning of the fair, they host a Kids’ Day for school groups, homeschool groups, and families.  Each group gets a guide from the fair in addition to the chaperones from the school.  The guide brings the group through the open sections of the fairgrounds (the midway isn’t open, but creative arts and the barns were; not sure about other buildings).  In the creative arts building, most of the guild and club booths had a person in them to do a demo.  Some had make and takes or a hands on activity.  In our booth, we gave a brief talk about how clothes are made.  Bev talked about the difference between knitted and woven fabrics, pointing out examples from the clothes kids were wearing.  Then I pointed out the $5 Mystery Fleece, fluffed out on the table behind me and the bag of seeded Pima cotton (in a bag just behind my right shoulder in the picture above).  I explained that these were in raw form, that they were then cleaned and formed into a continuous tube of fiber, and that in order to make yarn those tubes of fiber have to be thinner and that’s what a spinner does.

After we did our short explanation, kids got a chance to weave on the floor loom and to make Kumihimo braids with guidance from my friend V. (That’s V.’s foot in the right-hand edge of the picture above; she asked me not to post her picture).  V. is not a fiber-crafter (yet!) but she’s staying with me and she tagged along to the fair to help wrangle kids.  At the beginning of the day, Bev showed V. how to do Kumihimo braids.  She picked it up quickly and did a great job teaching kids how to do it too.

The bucket is half full of bobbins.  Kids could pick their favorite color and use it to weave.
The bucket is half full of bobbins. Kids could pick their favorite color and use it to weave.

One of the bobbins in the bucket (on the shuttle in the picture above) was loaded with VCR tape.  Bev had several small woven pieces and a finished bag that included VCR-tape weft.  I was surprised by how pretty it was.  The tape tends to take on the colors of the warp or other surrounding fibers, adds a pretty sheen to the fabric, and the draft pattern stands out beautifully against it.  Bev also brought some samples woven with plastic grocery bags or Cheesecake Factory to-go bags.  All the pieces were beautiful, and I wouldn’t have guessed the material.  I obviously need to expand my thoughts on appropriate materials for weaving!  There’s a lot more than just yarn.

Close up of the VCR-tape weft.
Close up of the VCR-tape weft.

Teaching Spinning

I started a new fiber at the fair — Cormo for my first of the Breed-Specific Spinning Project.  For the first few groups of kids, I just spun and answered questions.  No one touched my wheel.  One of the kids in the fourth group asked if she could try it out, so I sat her down at the wheel.  I’ve only been spinning for 10 months now, and have only spun about 3 pounds of fiber.  I’m nowhere near an expert and haven’t taught anyone else to spin.  I discovered that I don’t have a good vocabulary for explaining what is happening when you spin or for verbally communicating the process to a student.  After that first kid, I didn’t let anyone else sit and try all the steps at once.  I mostly let kids (even as young as 4) hang onto the roving and pull on it a bit, while I treadled and kept my left hand pinched firmly around the point of the twist.  The resulting fiber was over twisted, thick and thin, and broke a couple of times.  But so  what?  Kids got to touch fiber and were pretty excited about it.  I learned that I have a lot to learn before I can effectively teach spinning and that the technical details of spinning are not firm enough in my own mind.  If they were, I’d be able to explain them!

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More Fair for Me?

The Central Florida Fair runs February 26 – March 8 this year.  During the week, they are open evenings 4 pm or 5 pm until 10 pm.  On Saturdays and Sundays, they are open 10 am to 10 pm.  The Weavers of Orlando are staffing our booth on weekends, but may not be there on weekdays.  I can’t be there again this weekend, but might be there next weekend.  If you are at the Fair, stop by and say hi to the weavers!  Anyone can try out the floor loom; it’s not just for kids!