Orlando Shakespeare Theater

Some information in this post comes from the Press Kit available for public download on Orlando Shakespeare Theater’s website.  Orlando Shakespeare Theater did not pay for this post, nor did they provide free tickets, merchandise, or any other benefits in exchange for this post.

In 2002, Chris and I moved to the Orlando area from the Boston area.  For many years, I complained that we moved to a cultural void.  I missed the theater, author readings, art museums, and other cultural institutions in Boston.  Over the years I learned about Orlando’s cultural institutions, but I wasn’t visiting them.  Between 2007 and 2011, my schedule was insane.  But in the latter half of 2011 the insanity dwindled.  Chris and I were looking for interesting things to do.  I figured it was time to put my money where my mouth was and actually visit some of Orlando’s cultural institutions.  After all, I had no right to complain if I never took advantage of the obvious cultural opportunities Orlando does offer.  One of the first things we did was buy tickets for several of Orlando Shakespeare Theater’s shows.  I adored them all and when they opened up season ticket subscriptions for the next season, we bought them.  We have been season ticket holders ever since.


The Orlando Shakespeare Theater as we know it today grew out of the University Central Florida.  In the early 1970s, English Professor Stuart Omans and his students traveled to local high schools to perform scenes from Shakespeare.  Subsequently, the National Endowment for the Humanities gifted UCF a grant for the Teacher Training Institute.  In 1975, Dr. Omans organized a teacher-produced production of Shakespeare’s A Midsummer Night’s Dream.  Four years later, UCF received a second NEH grant of $150,000 to produce Hamlet: The Renaissance Mind.  In 1987, UCF released Omans from teaching and charged him with starting the UCF Project for the Development of Humanities and Fine Arts.  Their goal: the establishment of a Shakespeare festival.  UCF provided administrative offices and salaries for the Artistic Director, Business Manager, and Secretary.

Omans needed a space for the festival.  He contacted the City of Orlando and Walt Disney World, both of whom agreed to donate funds for the expansion and renovation of the bandshell at Lake Eola in downtown Orlando.  Omans established the Orlando Shakespeare Guild, which held its first fundraiser at the Enzian Theater in 1988.  In 1989, the Orlando Shakespeare Festival rented costumes from the Royal Shakespeare Company in Stratford, England, marking the first time RSC lent garments to the United States.  In 1990, the Festival’s performances expanded to five-week runs and moved to the spring for warmer temperatures.

1994 marked Dr. Omans final season as OSF’s Artistic Director.  Current Artistic Director Jim Helsinger came on board starting with the 1995 season.  That year, OSF converted a store in the old Winter Park Mall into a 120-seat venue to house the Festival’s first full-length non-Shakespearean production, Dracula: The Journal of Jonathan Harker.  In 1996, the Festival expanded to two fall production performed at the Civic Center.  The following year, OSF moved select productions to the Orange County Historical Museum in Loch Haven Park (a building scheduled to be torn down once the History Center relocated).  On behalf of OSF, John Lowndes and Gordon Arkin negotiated with the City of Orlando for a long-term lease of the Orange County History Museum building.  In 1998, the costume and scene shops were moved into the old museum space.

In 1999, Board Chair Rita Lowndes lead a fundraising campaign to raise $3.2 million to renovate the Historical Museum building as a new home for OSF.  The construction company, Jack Jennings & Sons, began demolition and renovation of the soon-to-be John and Rita Lowndes Shakespeare Center in March 2001.  On November 30, 2001, OSF held its Gala Opening Night performance of The Taming of the Shrew in the newly renovated theater.

In its new space, OSF continued to grow.  In 2002 the Darden Theater for Young Audiences Series expanded to the children’s productions.  in 2003, the PlayLab Series, which featured monthly readings and workshops, changed its name to PlayFest and held a 10-day festival of new plays.  In 2005, OSF received a large gift from Harriet Lake, with the purpose of creating “The Orlando-UCF Shakespeare Festival Endowment in Playwriting,” a $1 million endowment held by the UCF Foundation for the Development of New Plays at OSF and a playwriting curriculum in the UCF Department of Theater.  She also made a four-year commitment to be the presenting sponsor of the newly named “PlayFest! The Harriett Lake Festival of New Plays.”  In 2006, OSF changed its name to “Orlando Shakespeare Theater in Partnership with UCF,” to better reflect the Theater’s year-round performance schedule and permanent performance spaces.  Locals usually refer to the Theater as Orlando Shakes or simply The Shakes.


Orlando Shakes continues to operate out of the John and Rita Lowndes Shakespeare Center, which is now a 50,000 square foot facility that houses four professional theaters, classrooms, rehearsal halls, patron’s room, catering kitchen, courtyard, lobbies, gift shop, box office, scenic and costume shops, and administrative offices.  Their four performance spaces include the 324-seat Margeson Theater, 118-seat Goldman theater, 99-seat Mandell Theater, and the 75-seat Santos Dantin Studio Theater.

The Shakes season includes the seven-show Signature Series, the three-show Children’s Series, an annual Mock Trial in which a character or author from a current production is put on trial with area attorneys and judges arguing both sides of the case, and PlayFest, a festival of readings and exclusive panels.  In the summer OST hosts educational camps and The Young Company, a group of talented high school students who perform works of Shakespeare.

The 2017-18 season is now underway.  OST is currently staging both Shakespeare in Love and Twelfth Night.  The final production for 2017-18 is The Luckiest People which opens on March 28, 2018.

On February 23, 2018 OST announced its complete list of shows for the 2018-19 season, which is their 30th Anniversary season.  The shows are:

  • In the Heights, opening September 8, 2018
    • This is a Lin Manuel Miranda hit show, before Hamilton.  Broadway in Orlando is bringing Hamilton to Orlando as part of its 2018-19 season, so you might be able to see the two shows in the same season.
  • The Mystery of Irma Vep — A Penny Dreadful, opening October 10, 2018
    • A quick-change marathon where two actors play all the roles.  It promises to be hilarious.
  • A Christmas Carol, opening November 28, 2018
    • OST last staged A Christmas Carol in XXX.  I love this play and thought OST’s XXX production was the best I have ever seen.  I am looking forward to seeing it again this season!
  • A Dollhouse, Part 2, opening January 2, 2019
    • A sequel to Ibsen’s book
  • Hamlet, opening February 6, 2019
  • Gertrude and Claudius, opening February 20, 2019
    • A prequel to Hamlet, based on John Updike’s book.  OST commissioned the play adaptation, with funding provided by John and Rita Lowndes.
  • Richard II, opening March 27, 2019

Visiting Orlando Shakespeare Theater

Getting There

The Orlando Shakespeare Theater is located in Loch Haven Park, which is also the home of the Orlando Museum of Art, the Orlando Science Center, the Orlando Repertory Theater, the Mennello Museum of American Art, the Orlando Fire Museum, and the Orlando Garden Club.  Many cultural events happen in Loch Haven Park.  Events I’ve personally attended include the Fringe Festival, the Maker Faire (which outgrew Loch Haven Park and is now held at the Orange County Fairgrounds), and Veg Fest (which was most recently held at the Orlando Festival Park).

The address for Loch Haven Park is 777 E Princeton Street, Orlando, FL 32803.  The park is about 0.25 miles from 17-92 (also called North Mills Avenue) and 0.5 miles from I-4.  Princeton Street cuts the park in two.  If you are coming from I-4, the Science Center Parking Garage and the Mennello Museum are on your right and the rest of the institutions are on your left.

Sunrail‘s  Florida Hospital Health Village is a couple blocks away, but the last train of the night departs earlier than you will be able to get there if you are attending an evening performance at the Orlando Shakespeare Theater and Sunrail does not operate on weekends or holidays.  Buses do operate along Princeton, with a stop close to Loch Haven Park, so if you are interested in public transit, check Lynx‘s schedule.


Parking is $5 in the Science Center garage during the Center’s operating hours, free if you are a member of the Science Center.  There is free surface parking in front of the Orlando Repertory Theater and between the Orlando Shakespeare Theater and the Orlando Museum of Art.  Once or twice a year, the Council of 101, which supports the Art Museum, holds special events to raise funds for the Art Museum.  During those special events, they charge a parking fee for the two surface lots in Loch Haven Park.  Anyone entering Loch Haven Park pays the fee, even if you aren’t going to the Art Museum.

If multiple Loch Haven institutions are holding events, parking can be busy.  The Orlando Shakespeare Theater website now hosts a Parking and Event Schedule for Loch Haven Park.  This schedule lists every event that might affect parking for OST performances.  The list includes the event, which venue is hosting, the start and end times of the event, and the number of anticipated guests.  On nights when OST expects parking to be particularly challenging, they offer valet parking for $5 cash in front of the Theater.  The Parking and Event Schedule lists valet parking if it is available.

We often find the lot between the Shakes and OMART full, so we park in front of the Orlando Repertory Theater and walk across the open grassy area or along the sidewalks to get to the Orlando Shakespeare Theater.  In all the years we’ve attended OST, only once have we parked in the Science Center once due to no availability in any of the surface lots.


Unfortunately, the only food option actually in Loch Haven Park is the Subway on the first floor of the Science Center, which is only open when the Science Center is open.  There is an entrance from Loch Haven Park directly into the Subway, if you would like to eat there.  Florida Hospital is about three blocks away, and you can eat in their cafeteria.  It’s been a while since I’ve eaten there, but by all accounts the food is decent.  Since Florida Hospital is a Seventh-day Adventist Hospital, the cafeteria offers a number of vegetarian and vegan options; it does also offer meat.  There is a Panera on the corner of Rollins Avenue and Orange Avenue, about a 0.4 mile walk from Orlando Shakes.  Across the street from the Panera, there is a Wendy’s.

Orlando Museum of Art hosts 1st Thursdays, which they bill as “Orlando’s original art party.”  Your $15 admission (free if you are an OMART member; maybe also if you are a member of an organization with reciprocity, but I’m not sure) gets you into the Museum’s featured exhibit as well as a themed exhibit of local artists.  The artists are usually in attendance and the artwork is for sale.  You will hear live musicians in the rotunda and there is food available for purchase.  1st Thursdays is 6 pm – 9 pm; the Shakes evening performances start at 7:30 pm.  If you get to OMART at 6, you have time to view the art, buy dinner and wine, and make it to the performance on time.

If none of the above appeals to you, you will have to eat before you arrive or, if you’ve spent the day at the Art Museum or Science Center, drive out of Loch Haven Park to find food.  Several excellent options exist within a 10-minute drive of Loch Haven Park, on Mills Avenue or Orange Avenue.

In the lower lobby of Shakes, volunteers sell candy bars, packaged cookies, hummus, ice cream, beer, wine, water, and sodas.  Drinks are allowed in the theaters, but food is not.  Most shows include a 15-minute intermission.  Before the show starts, you can pay for drinks and snacks to pick up at intermission.  The orders are out on a separate table, so you just pick them up from there and skip the line.

Of Interest

If you are attending a Shakespeare play, be sure to arrive 30 minutes before show time to attend the Prologue, which is free and open to all ticket holders.  Someone, often Orlando Shakes’ Director of Education Anne Hering, provides an interactive presentation of the plot, characters, and themes of the play you are about to see.  If you’ve never seen Shakespeare and worry that you will have a hard time understanding the show, the Prologue will help overcome those fears.  If the source of those fears is reading Shakespeare in high school English class, please, please, please go see a performance.  Shakespeare is far funnier and bawdier than I ever realized from reading him in English class!

Our Experience

I adore Orlando Shakespeare Theater.  To date, I have seen 40 Orlando Shakes productions and they are consistently excellent in terms of acting, costuming, and production values.  OST productions always premiere on a Friday night.  They stage two preview performances, on the Wednesday and Thursday before the premiere.  Our season tickets are for the Thursday night preview performances.  Previews are the first time a show is before a paying audience.  One purpose of previews is to see if adjustments are necessary prior to the official opening.  Theoretically, in a worst case scenario, the production could be interrupted to make real-time adjustments.  However, that has never happened in any of the productions we have attended — even when we went to the 2013 open dress rehearsal for A Midsummer Night’s Dream and one actor clearly forgot his lines and started doing the Monty Python Black Knight routine instead.

The Signature Series plays are either in the 324-seat Margeson theater or the 118-seat Goldman theater.  As season ticket holders, we have the same seats for each performance, in the second row center regardless of theater.

The first play I attended at OST was the 2011 performance of The Importance of Being Earnest.  During my freshman year of high school, I lived in England with my uncle’s family and went to school there.  In our English class, we spent quite a long time in reading and analyzing this play, but I had never seen it performed.  I was enchanted with OST’s performance, and so began my abiding love for OST.

Other personal favorites include:

  • the 2012 production of The Complete Works of Shakespeare (Abridged), during which I was held hostage at (plastic) sword point in my seat, just prior to intermission.  One character is refusing to perform Hamlet; the other holds an audience member — me for that performance — hostage, insisting the audience member will not be released until the other character agrees to perform Hamlet.


  • the 2014 production of Nicholas Nickleby, which was 5 hours long.  The play was divided in two parts, played in repertory.  I had not read that particular Dickens before.  I loved the play and that motivated me to read the book, which was sometimes a bit of a slog.


  • the 2016 production of Dancing Lessons, a romantic comedy about a man with Asperger’s who seeks out dancing lessons so he can dance at an upcoming event.  The dancing instructor has a leg injury which may end her career and is bitter about it.  Both actors gave haunting, beautiful performances, which stuck with me long after I left the theater.


  • the 2017 production of Blackberry Winter, about a woman dealing with her mother’s dementia impacted me in a way no other live theater has.  I didn’t totally love this show, which is told partly as a fable.  The fable parts did not work for me.  But when Suzanne O’Donnell, playing the role of the daughter, was on stage she was phenomenal.  The show did not have an intermission, and I was wishing for one just to get away from how intensely raw, honest, and unrelenting O’Donnell’s performance was.  Given the theme of the play, this is a complement and an effective creative choice as real life doesn’t have an intermission.  In only 90 minutes, I got a visceral understanding of what it feels like to live with a family member’s dementia.


  • the 2017 production of Antony and Cleopatra, starring Michael Dorn and Caralyn Kozlowski in the title roles.  As a long time Star Trek fan, I was thrilled to see Dorn on stage and in such an intimate (118-seat theater!) environment.  While he was excellent, Kozlowski stole the show.

My favorite season so far was the 2014-2015 season because the line-up included three of my personal all-time favorite plays: Les Miserables (which I’ve seen a half-dozen times in various locations), A Christmas Carol (which I’ve seen a half-dozen times as a play and is on my must-watch Christmas movie list in almost any of its iterations), and To Kill A Mockingbird (during my senior year of high school, I played Miss Maudie Atkinson in my high school’s production of this play).  All three were wonderful.  OST’s production of A Christmas Carol is my favorite of any of the productions I have ever seen.  I particularly loved the way they handled the Ghost of Christmas Future, which is the most traditional specter Scrooge sees.  I literally gasped when this massive puppet appeared on stage.

OST is an absolute treasure and we are lucky to have them here.  I will hold Season Tickets for as long as I live here and if I do ever move, OST will be very high on the list of things I will miss.

In Conclusion

You should go to Orlando Shakespeare Theater.  Shakespeare in Love and Twelfth Night, both currently running, are excellent shows.  See them both.  I recommend seeing Shakespeare in Love first because if is a fictionalized account that speculates on Shakespeare’s inspiration for the central character in Twelfth Night.  Enjoy!



On My Birthday

My birthday was several days ago.  We got home from New Jersey only a few days before that.  I was tired and needed to get back into a rhythm at home.  I decided the best gift I could give myself for my birthday was progress on personal projects.  I made progress on three projects: (1) Finishing a loom and spinning wheel; (2) Scouring fleece; and (3) Spinning a batt.


In early January, I wrote about the problems I have with the finish on my rigid heddle loom and my spinning group’s wheel.  My mother-in-law passed away the day after I wrote that post.  When we left for New Jersey, I left all the pieces out on the workbench.  I was at a bit of a loss of how to proceed because after five passes with the mineral spirits, some of the pieces were still tacky.  On my birthday, I took the loom and the treadles to our local Woodcraft store and explained what I had done so far.  They said I probably put too much Danish Oil on, which is why it never dried.  They said that continuing with the mineral spirits was the correct approach but that if that doesn’t work then I will have to remove the entire finish and start over.  I was using paper towels to apply the mineral spirits.  They suggested that I use a shop towel because the paper towel might be too smooth.  Over the course of the last several days, I applied another 5 or 6 rounds of mineral spirits.  Some of the pieces are no longer tacky, some have parts that are tacky and some that are not, and some are still tacky all over but are not as tacky as they were before.  We continue to move in the right direction!


In early January, I scoured some fleece and wrote a long post about it.  That day, I only scoured a fraction of the fleece I needed to scour.

The day my mother-in-law died, I was at a friend’s house, about to scour more fleece.  My spinning group was holding our third annual retreat (I posted about the first one).  This year, we decided to spend the day at the home of one of our members.  These retreats are usually low-key, bring a project and do your own thing affairs, but this year several of us had fleece to scour, others had never scoured and wanted to learn, and our hostess has excellent space for scouring, so we decided to do a scouring day.  I brought all the fleece I needed to scour and all my equipment.

Since several of us were processing fleece and since I had several 4 – 16 ounce samples, I put all my fleece into mesh laundry bags.  Inside each laundry bag, I wrote the name of the breed on a tyvek wrist band (Amazon affiliate link).  I used these wristbands when dyeing and scouring because they will not dissolve in water and you can write on them with a Sharpie.  I had just finished putting everything into bags and was about to start scouring when my husband called to tell me his mother had passed.  I immediately packed up all my fleece and drove home, leaving my equipment behind since everyone else was using it.  I picked up the equipment after we returned home.

I still wanted to get all that fleece, plus additional fleece I had at my house, scoured.  So I spent the afternoon of my birthday scouring fleece.  Here’s all the fleece I put into laundry bags while with my spinning group.

My friend Nancy told us that she and her sister now do cold soaks of fleece before scouring.  I decided that I would try that method.  We have a plethora of 5 gallon pails.  We use them for putting water into our hydroponics system, for toting around tools, and for storing things in the garage.  Last September, we bought several more to use for water storage as part of our Hurricane Irma preparations.


We filled the bathtub after I took this picture. Total water storage: 35ish gallons in the tub, 50 gallons in buckets, 6 or 7 gallons in the frig, 50 gallons of non-potable water in the rain barrel.

Copious water storage was an excellent thing because we were without power for 6 days, without water for 24 hours due to a water main break on our street, and on severe water restrictions (no showers, no flushing the toilet if you only peed) for a week because 85% of the lift stations in our county were without power.  Lift stations move waste through the pipes to the treatment facility.  If they can’t do their job, somewhere that sewage will seep into someone’s home.

Six trees came down at this house, including two that came through the roof in the middle of the storm, nearly hitting one of the teenagers. The family fled to a friend’s house. The roots of two trees pulled up through the water main, breaking it in multiple places.


No running water, no showers, no electricity, high heat and high humidity. This is how we kept clean.


When our power went out, the dishwasher was full of dirty dishes. After a couple of days without power, they really needed to be washed. I did it in the backyard, using water from our buckets. I did the three bucket method, with the last being a chlorine bleach rinse which meant I didn’t have to heat water on the propane camp stove.


Sorry about the tangent.  As I was saying, we have a plethora of 5 gallon buckets.  I used those for the cold water soak.

No soap, no hot water, and maybe 15 minutes in the bucket at this point.

I liked the cold water presoak a lot.  It is amazing how much comes out of the fleece, simply soaking it in cold water.  I put the fleece into the pails to presoak, then finished setting up the rest of the equipment for scouring.  When I took the fleeces out of presoak and put them into scour, I dumped the water out, filled the pail with clean water, and put more fleece in to soak.  All the fleeces were in the cold water for a minimum of 20 minutes.  Some were in there for an hour or more while I scoured others.  With cold water, I don’t have to worry about the water cooling and lanolin redepositing onto the fleece.  Anything that came out with just cool water should stay out!

I did only one scour with detergent on most of the fleece, followed by two plain water rinses.  This was effective for almost all the fleeces.  One particularly dirty alpaca fleece got two rounds with detergent and three plain water rinses.  One or two of the greasier fleeces needed more scouring and I will be doing another scour on them.  Stay tuned for more detailed blog posts on which ones needed more scouring and how I handled that.

I made one other change to the process I described in my previous post on scouring.  I added two more bins for scouring, so I had 6 going at one time.  When I was at the spinning group retreat, I discovered that my dish pans hold the same volume of water as the other containers I was using for scouring, so I set up two dish pans plus the containers!

With six bins going and the presoak doing a lot of work before scouring, I was able to scour 19.5 pounds of fleece in 4 hours.  I have one fleece left to scour, an 8.5 pound black Corriedale fleece that I intend to scour a lock at a time using Fels-naptha soap.  Stay tuned for a blog post on that when I get it done.


My birthday was the day that NBC broadcast the opening ceremonies of the Olympics, so my parents came over and we watched that while I spun.  I worked on the SassyBee polwarth batt I’ve been spinning for a bit.

It was an awesome birthday!

Post Script

My parents wanted to spend a day with me and told me to pick what I’d like to do and that would be their gift.  The Tuesday after my birthday, we played an awesome escape game at Escape Effect

We had fabulous Indian food at a restaurant in the same plaza, then we went next door to Escape Effect and took the museum tour at the Chocolate Museum and Cafe.

Yes, this Taj Mahal is made out of chocolate!


Falcon Heavy: The Preparations

My husband is a space geek.  He’s old enough, just barely, to remember when we landed on the moon and he’s loved space ever since.  We are both sci-fi geeks and Chris especially loves shows about exploration.  He loves discovery and adventure.  Naturally, all of this means he particularly loves Elon Musk and Space X.

Tomorrow, February 6, Space X is scheduled to launch its Falcon Heavy rocket for the first time.  Falcon Heavy is a BFD.  The stats on it are impressive.  Rather than reciting them, I’m going to refer you to Space X’s website.  The important thing is that this is the first launch of a rocket that could be used to put humans back on the Moon or to land on Mars for the first time.  And we are going to be there.

Falcon 9 will be launching from Kennedy Space Center Pad 39A.  This pad has been the origin of more than 90 missions to space, including the Apollo 11 mission that put men on the moon and many space shuttle missions.  After the shuttle program was discontinued and before Space X leased the pad, you could take a tour inside the fenced perimeter.  Naturally, we took that tour.

Chris and I with Pad 39A in the background, circa September 2015.


Chris listening to our guide tell us the history of pads 39A and 39B.


Our feet, right on the line which we weren’t allowed to step past. The bricks are the same kind used in kilns because they have to withstand the heat of the rockets.

Tickets for the Falcon Heavy Launch went on sale while we were in New Jersey.  We bought tickets to be at the Saturn V center, located 3.9 miles from the launch pad.  This is the closest that members of the public can get.  The launch is scheduled for 1:30 pm and our pass tells us we must be there at least 5 hours before launch time.  It’s a 1.5 hour drive from here to Kennedy Space Center, so we are leaving the house at 6:00 am to make sure we are there in time!

So tonight, I packed a little bag and in the bag I put:

  • 5 pairs of binoculars
  • Sunscreen
  • Bug Spray
  • Eye drops (for our contacts)
  • Lip Balm
  • My Sun Hat
  • Benadryl and AviQ.  I have an anaphylactic allergy to fire ants, so if I’m going to be outside in Florida, I always bring these.
  • The set of lenses and filters I have for my iPhone
  • A battery to charge our phones, if necessary
  • And a knitting project, naturally.  We’ve got to be there early and the launch window is 2.5 hours long, so there will be a lot of waiting around!

I’ll post more tomorrow evening!